Does it matter how real The Crown is?

When does a historical retelling go too far? How responsible is it to take creative license with real-life events? Is it better, safer, to tackle distant historical subjects that can’t engage with your version of history? What about when still-living subjects of biopics and docudramas argue that by regurgitating their pasts, you’re making things worse for them in the present?

These complicated questions, and what feels like increasing hostility surrounding them, have coalesced around a predictable target: the newest season of Netflix’s The Crown. While earlier seasons of the show won the British royal family’s interest, the latest seasons